“Jam sessions recorded with various people around 1988. Includes a long improvisation with the Outskirts of Infinity, a Jam with Martin Crowley and mates, and a Bevis solo piece.”
Live Experience Band – Tribute to Jimi Hendrix (1971)
Tribute to Jimi Hendrix by Peet Shaw and his Live Experience Band in form of noisy acid jams. Wah-wah freak out!
Chicken Bones – Hardrock in Concert (1975)
“The title of Chicken Bones’ album Hardrock In Concert (1975) says it all! There are six “very hard rocking tracks” included therein, performed in the good old tradition of the early seventies heavy progressive scene. Most of the album is instrumental.”
Peter Green – The End of the Game (1970)
“Peter Green (born Peter Allen Greenbaum on 29 October 1946 in London, England) is an influential blues guitarist and founder of Fleetwood Mac and Peter Green Splinter Group…. From 1970 to 1974, Peter played some sessions, and worked with several small bands, as well as releasing two solo singles and an album of extended jams, The End of the Game.”
Renzoku Shasatsuma – 1978.3.26 Shibuya Yaneura (2001)
“Power trio from Kyoto, Japan that released a live LP called “Shibuya Yaneura” recorded on March 26th 1978.”
Sweet Smoke – Just A Poke (1970)
“Their music is one of the most loosely arranged happy-hippy-rock, very “jammy” as well as being very jazz-tinged also. Their average tune was 20 min long.”
Cream – Sun Vanishes (1999)
Heaviest and trippiest Cream live album recorded October 15th, 1967 on Grande Ballroom, Detroit. Lots of feedback and solos. Freak Out!
Food Brain – Social Gathering (1970)
Social Gathering by Food Brain is a 1970 one-off jam record by a Japanese psych/prog “supergroup” consisting of guitarist Shinki Chen (Speed, Glue & Shinki), bassist Luis Kabe (The Golden Cups), organist Hiro Yanagida (Apryl Fool), and drummer Hiro Tsunada (Strawberry Path).”
High Speed & The Afflicted Man – Get Stoned Ezy (1982)
“Too freaked out for punks, too punked out for freaks, ‘Get Stoned Ezy’ is a bloodbath of pedal stomping carnage.”
Hills – Master Sleeps (2011)
“Hills formed as a 3-piece aiming to make music that focuses on the groove/sounds and rhythm instead of the lyrics/message and classical songwriting structures. To create a meditative space heavily dependent on improvisation. To create a feeling but not necessarily to explain it through words. Influenced by everything from the early experimentation of John Coltrane via the repetitiveness of Velvet Underground, Krautrock / Psych in general and the grimness of early black/ death metal bands such as Hellhammer and punk. Hills try to keep it honest, analog and raw in the very best way they can.”