“FIRST MATTER represents Sungod’s first recorded excursions into the vastness of the inner space. The sonic forms move from driving 70’s psychedelia to desolate western soundscapes and create a cerebral amalgam of heavy riffs, hypnotic drones, and pulsing rhythms. Captured to analog tape, the nature of the sound is organic, warm and intimate. This quality of the recording, combined with the exploratory nature of the music, make the two-piece’s cosmic collection of improvisations and compositions an ideal soundtrack for the altered mind.”
The Vocokesh – …All This And Hieronymus Bosch (2007)
“VOCOKESH arrived on the scene in 1989/90 when Wisconsin/US situated Richard Franecki (guitar, bass, electronics) decided to leave his main project F/i along with Jan Schober (drums) and Steve Zimmerman (electronics)… Similiar to F/i, but more guitar and less electronics dominated, the band covers a variety of styles. The sound can be treated as an avantgarde blend of psychedelic and space. This is often based on blues themes and spiked with kraut rock portions here and there… spacey jams with weird experimental parts.”
Jimi Hendrix – Woke Up This Morning And Found Myself Dead (1968)
Guitar god and by far my most favorite guitar player in about an hour LSD-influenced jam session with Johnny Winter and Jim Morrison.
JPT Scare Band – Sleeping Sickness (2000)
“JPT Scare Band has been blazing psychedelic trails for quite some time now. Over the years and decades they have managed to progress from totally unknown to painfully obscure. In spite of all that… they are still together, with the original lineup intact. Still making meaningful music in the 21st century, this veteran group of jammers is also proud of their vast legacy of classic twisted insanity recorded back in olden analogue times.”
Melting Euphoria – Upon The Solar Winds (1995)
“It’s less known about this band although MELTING EUPHORIA is often considered as one of the space rock flagships. Formed in San Francisco by keyboardist Don Falcone, England-native Anthony ‘Forti’ Budziszewski (bass) and Mychael Merrill (drums) they started with the album ‘Through The Strands Of Time’ (1994) – avant-garde oriented, forced by spacey synthesizer and tribal drumming… MELTING EUPHORIA moved on with guitarist DeFM and new keyboard/synthesizer collaborators evolving the psych/space fundament. At an interval of one year they released album for album and improved their significant style based on a melodic cosmic trippy sound enriched with a lot of synthesizer goodies.”
Secret Saucer – Element 115 (2005)
“SECRET SAUCER is an idea to bring like minded musicians together to play improvised space rock in a studio setting. The band is build up by members of several US psych/space groups like QUARKSPACE, STAR NATION and SUN MACHINE. Steve Taylor and Steve Hayes had already toured with Nik Turner and Daevid Allen… Even though it sounds like well thought-out song compositions the music is purely improvised coupled with some slight krautrock leanings. SECRET SAUCER surely appeals to fans who prefer the psychedelic phase of Porcupine Tree or like to listen to bands with hypnotic moves like Hawkwind, Gong, Man, Oresund Space Collective and Ozric Tentacles.”
Sea of Tombs – Sea of Tombs (2001)
“Sea Of Tombs features Earthless drummer Mario Rubalcaba (also of Clikatat Ikatowi and Rocket From The Crypt) and delivers a similiar but more primitive version of heavy, sludgy acid-rock… Raw, murky blues-based heavy rock mutated into a rumbling hypno-trance, glazed with unreal amounts of bass and murky fuzz, usually locked into a plodding propulsive dirge that never speeds up all that much and which contributes to the hypnotic brain-haze that these cats administer. Check this out if yer into the heavy, sludgy psych-drug dirges of Earthless, Mammatus, Dead Meadow, and Ahkmed.”
The Psychic Paramount – Gamelan Into The Mink Supernatural (2005)
“The Psychic Paramount is Ben Armstrong (bass), Jeff Conaway (drums) and Drew St. Ivany (guitar), three lead instruments individually and together. They make impact a state of being rather than a discrete event. As single-minded as the music may seem at first strike, it exists at higher elevations — of decibel, intensity, motion, color, temperature — and spills freely over the walls of genre, magma into new land. It is punk in its fury, noise in its rash extremity, and progressive in form: small-p pro-gress as a verb, progress progress progress, move move move, forward onward upward. An unceasing coiling in and exploding out. The Psychic Paramount is always moving, and you will feel the wind in the hair between your whitening knuckles.”
THTX – The Flickering Sky (2009)
“Partially inviting other musicians THTX is a duo project basically formed by guitarist Matthew Smith and percussionist Kerry Gluckman – a jam band with roots in psychedelic and space rock. Both are interested in other genres too which is noticeable here and there. They first met in 2001 at a party in Detroit, soon started to jam together and subsequently recorded a series of eight CDR’s. Their sessions were starting without any preconditions – it is said that even no discussions about the musical direction are allowed. The result manifests in space jams predominantly – but there are avantgarde styled songs too with free jazz leanings where multi-instrumentalist Matthew Smith also plays trumpet, organ and bass… THTX is recommended to fans of rough unpolished spaced out jam music.”
Tia Carrera – Heaven / Hell (2007)
“Music that takes the listener on a major drug trip. The opiate daze in the guitar lines, the sedative drift of the drum rolls, and the tranquilizing haze of the bass wells all ring with stoner rock keys and a flying kite-like carpet ride. The band has been compared to Jimi Hendrix and Black Sabbath but they have a Southern rock intonation in their chord ruminations more aligned with the Allman Brothers, The Grateful Dead, and Widespread Panic.”