Category: stoner rock

Comets On Fire – Blue Cathedral (2004)

“Comets on Fire are psychedelic rock band that have a heavy emphasis on the ‘rock’ part of the equation… At this point they sounded like noisy proto-metal, heavily influenced by The Stooges, MC5, Black Sabbath, and Hawkwind… Their music is very jam based and loose but it rarely meanders and gets boring. They also use the echoplex frequently, adding to their spacey sound. Any fans of space rock, especially Hawkwind and Acid Mothers Temple, should give Comets on Fire a try. Those who want some trippy prog rock, but with a powerful drive and sludgy riffs should also apply.”

Tolmunud Mesipuu – Koger Ja Panter (2010)

“Tolmunud Mesipuu means “A dusty beehive”. There are three of them in the band, and speaking of alien languages, such as Estonian, you won’t hear it much at their show. It is purely instrumental music. For some, it is simply mental. TM’s critically acclaimed debut album paints a hypnotic, dissonant and manic landscape – it might as well be forgotten 70’s cult trash movie, which people watch just for the soundtrack.”

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The Mystick Krewe Of Clearlight – The Mystick Krewe Of Clearlight (2000)

“The Mystick Krewe of Clearlight came together in 1996 as an instrumental side project led by guitarist Jimmy Bower and drummer Joe Lacaze of the New Orleans sludge metal group Eyehategod, along with members of Crowbar and Down. Bower and Lacaze’s inspiration from the start was to get away from the pummeling nihilistic dirge metal of Eyehategod and use their new project as an outlet for the improvisational music that they had absorbed growing up in New Orleans, whether it be jazz, soul, funk, or rock. The Krewe’s influences range from the Southern blues-rock of The Allman Brothers Band, native soul and funk legends The Meters, The Neville Brothers, and Dr. John, and, on the heavier side of things, the groove-heavy riffs of classic Deep Purple. The idea of no barriers frees up these metalheads by trade and has given them the chance to show off their musicians’ chops and indulge themselves in lengthy guitar solos and extended jams that have more in common with the festive spirit of Mardi Gras than a headbanging doom rock concert.”

Colour Haze – Tempel (2006)

“Hailing from Munich, they follow in the tradition of other classic rock trios such as Cream, Grand Funk Railroad and The Jimi Hendrix Experience… Initially, the band seemed to be strongly influenced by the sounds of Black Sabbath… This style later evolved into an unmistakably dry, bass-laden soundscape. Characteristic of this phase is Kogleks’ continual guitar playing between trance-like bass rhythms… further develop this style with longer, more complex song structures, and increasingly strong jam and jazz elements. The results of these experiments were, in part, ridiculously long, complex, and self-referential 20-minute songs.”

Buddha Sentenza – Mode 0909 (2009)

“After a seemingly random sonic collision over the city of Heidelberg in later 2008, the constellation of *Buddha Sentenza* began to form during the darkest hours of that cold and silent winter. Deep under the earth, in the hidden bowels of the Klonlabor tunnel complex, the searing strings and pounding drums condensed rapidly to form a nebulous cloud of loosely jammed, spaced-out, rocking riffs. Rotating freely around some of the most ancient soundscapes – from the astral end of the Pink Floyd to the depths of galaxies such as Black Sabbath – Buddha Sentenza has continued to expand, drawing energy from contemporary constellations as well. Thus, its elements follow the trail of early rock psychonauts and modern riffrockers alike, fusing droning riffs, screaming solos and cosmic harmonies into an instrumental sound experience that defies any strict genre boundaries. The result is a texture that combines the raw massiveness of rock with the infinite possibilities of outer space.”

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El Páramo – El Páramo (2008)

“EL PÁRAMO got independent of an elderly Spanish rock band SOU EDIPO in the beginning of 2005. As a four-piece instrumental rock outfit much influenced by stoner rock, heavy metal, and progressive rock, the founding members – Santi (drums), Macón (guitars), Santi Ventreri (bass), and Jorge (guitars) – could make a great success of their first concert in the end of August 2005 under the slogan of inquiry into Stoner Progressive Rock world, obviously different from ADRIFT, Macón and Jorge’s metal band. In September 2008 EL PÁRAMO finally released their eponymous debut album on Alone Records.”

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