“An obscure instrumental Krautrock band from the 70s. Ecclectic, psychedelic epic rock with lot of Hammond organs, heavy drums and jamming guitars. Their album Orion Awakes (1973) belongs to Pyramid Records archives. Amazing, catchy improvised free spacey rockin’ trip that can reminds the best efforts delivered by early Pink Floyd, Gila, Dies Irae, Jane.”
“Tracking down the almost erased paths that walked the KrautRockers, the PhycheRavers and the Hippy Travellers in the Seventies, they fall into a no-song instant and continuous extemporization, when nothing repeats, assuming all the satisfaction and risks. You never play/listen again that you’d played/listened the last time… Mix their old Rock instruments with new (and not so new) audio generators and start to play with some regularity checking amazed that in every line that they open, there are some more… To infinity and beyond. Ball of Probability, Folk of Chaos, Space Boogie, Magik Mother Invocation, Infinity Loop, the Music of Spheres to heat and burn your mind… “
“Bland Bladen are a psychedelic/space rock band that likes to jam and will appeal to fans of Hidria Spacefolk and Ozric Tentacles.”
“Kraut-funk, coned-out drone rock, and assorted experiments with space and time. Wade through bluesy head-nodders, Italian fuzz contests, interplanetary bleeps and blips, and liberated dance songs for anti-environments.”
“Galacticka plays waste of space rock. This state of [of the art] groovy apocalyptic audiowaste is achieved by combining classic space rock elements with dark psychedelic sounds and monotonous stoner themes. If the overall sound of Galacticka remains undefined in subjective audiospace, it must be heard in the far reaches of the brain. That IS the point of Galacticka. Use in high dosage levels and let yourself remain in waste of space.”
“ICI MAINTENANTS was the name chosen for a one-off project that took place at the Summer Solstice in Glastonbury in 2001. There former Here & Now members Kif Kif le Batter (drums, vocals), Twink el Toes-Malone (synths, keyboards) and Steffe Sharp de Strings (guitar, vocals) hooked up with Tim Flatus (bass) and played a totally improvised set at the Glastonbury Assembly Rooms, in a manner pretty similar to what often was done at the Free Festival’s of the 70’s.”
“INTERKOSMOS are another Sula Bassana side project which formed in early 2008. According to the band name they call themselves the new intergalactic psychedelic space jam band… INTERKOSMOS meet from time to time to participate on festivals without having a very solid structure. The project have produced one eponymous album in 2009 which is full of spacey improviations headed by Ceballos’ fantastic guitar work.”
“La Otracina was formed in Brooklyn, NY in the summer of 2003 by drummer Adam Kriney and guitarist Joshua Anzano (now of Tee Pee Records’ Titan) to explore the deepest and most surreal realms of psychedelia, prog, and krautrock, with a major emphasis on improvisational exploration and an uncompromising musical energy. While taking heavy nods from psychedelic forefathers such as Flower Travellin’ Band, Guru Guru, King Crimson, Neu!, Yes, Agitation Free, Blue Cheer, Amon Duul, etc, the music of La Otracina has also been rooted in a deep understanding, appreciation, and influence of ’60s free-jazz/improvisation, the shape-shifting wizardry of classical minimalism, and the extreme music of the Japanese noise/psych underground. La Otracina’s brew of cosmic music is a ride across the galaxy, a slice of magical lemon wedges, a rainbow of crystallized comet dust.”
“With just the right blend of psychedelia and hypnotic grooves, WHITE HILLS weaves in and out of anthemic chants, deep space bleeps and other worldly madness for a mix that proves to be intoxicating. Since the release of the band’s debut CD, listeners have been praising their originality and unique brand of heavy space rock. White Hills formed out of the need to forge Space Rock into the 21st Century.”
“FIRST MATTER represents Sungod’s first recorded excursions into the vastness of the inner space. The sonic forms move from driving 70’s psychedelia to desolate western soundscapes and create a cerebral amalgam of heavy riffs, hypnotic drones, and pulsing rhythms. Captured to analog tape, the nature of the sound is organic, warm and intimate. This quality of the recording, combined with the exploratory nature of the music, make the two-piece’s cosmic collection of improvisations and compositions an ideal soundtrack for the altered mind.”