“Galacticka plays waste of space rock. This state of [of the art] groovy apocalyptic audiowaste is achieved by combining classic space rock elements with dark psychedelic sounds and monotonous stoner themes. If the overall sound of Galacticka remains undefined in subjective audiospace, it must be heard in the far reaches of the brain. That IS the point of Galacticka. Use in high dosage levels and let yourself remain in waste of space.”
“Tolmunud Mesipuu means “A dusty beehive”. There are three of them in the band, and speaking of alien languages, such as Estonian, you won’t hear it much at their show. It is purely instrumental music. For some, it is simply mental. TM’s critically acclaimed debut album paints a hypnotic, dissonant and manic landscape – it might as well be forgotten 70’s cult trash movie, which people watch just for the soundtrack.”
“Psychedelic acid rock-band from Japan. High Rise is an explosive power trio comprised of bassist/vocalist asahito nanjo (南条麻人), guitarist Munehiro Narita, and a succession of drummers that has included Yuro Ujiie and Pill in the past and free-improv veteran Shoji Hano at present. High Rise mixes the jazz-influenced improvising of Cream with the brutal amphetamine-inspired rock of Blue Cheer. Narita is one of rock’s unsung guitar players, and his dexterous fingering incites eruptions of pure electric joy in his listeners. The other players are equally stunning in their total commitment to this high energy music that features the freedom of jazz and the power of rock.”
“Psychedelic acid noise-band from Tokyo. Trio composed of Asahito Nanjo, Kawabata Makoto and Koji Shimura. Terminally fuzzed-out and distorted, earth moving riffage and shrieking, eviscerating extended solos with sheer brute force.”
“A lysergic dose of head-trippy, fuzzed out amplifier destruction. Ooooozing walls of blasting fuzz guitar, head-nodding grooves covered in tar and filth…. Krauty, spaced-out, bluesy improv that hits hard. In the same vein as Parson Sound or Can, these guys have really nailed the art of weaving improv in and out of catchy riffs, really sweet.”
“Chicago’s coolest new kid on the psych-rock-block brings us a cassetteful of drugged-out atmospheres, scattered with proggy guitar grooves and meandering femme vocals, tense drone and a bit of synth thrown in for good measure. Their influences are all over the place, and they make for one fucking solid product: Try slowing down the bass grooves of Suicide, add two parts Wooden Shjips’ repetitiveness, three parts Black Sabbath darkness, one part horror soundtrack a la Goblin, three parts stoner metal-era Boris, four parts Neu krautscapes, and you’re getting warmer to Verma.”
“ICI MAINTENANTS was the name chosen for a one-off project that took place at the Summer Solstice in Glastonbury in 2001. There former Here & Now members Kif Kif le Batter (drums, vocals), Twink el Toes-Malone (synths, keyboards) and Steffe Sharp de Strings (guitar, vocals) hooked up with Tim Flatus (bass) and played a totally improvised set at the Glastonbury Assembly Rooms, in a manner pretty similar to what often was done at the Free Festival’s of the 70’s.”
“INTERKOSMOS are another Sula Bassana side project which formed in early 2008. According to the band name they call themselves the new intergalactic psychedelic space jam band… INTERKOSMOS meet from time to time to participate on festivals without having a very solid structure. The project have produced one eponymous album in 2009 which is full of spacey improviations headed by Ceballos’ fantastic guitar work.”
“The Mystick Krewe of Clearlight came together in 1996 as an instrumental side project led by guitarist Jimmy Bower and drummer Joe Lacaze of the New Orleans sludge metal group Eyehategod, along with members of Crowbar and Down. Bower and Lacaze’s inspiration from the start was to get away from the pummeling nihilistic dirge metal of Eyehategod and use their new project as an outlet for the improvisational music that they had absorbed growing up in New Orleans, whether it be jazz, soul, funk, or rock. The Krewe’s influences range from the Southern blues-rock of The Allman Brothers Band, native soul and funk legends The Meters, The Neville Brothers, and Dr. John, and, on the heavier side of things, the groove-heavy riffs of classic Deep Purple. The idea of no barriers frees up these metalheads by trade and has given them the chance to show off their musicians’ chops and indulge themselves in lengthy guitar solos and extended jams that have more in common with the festive spirit of Mardi Gras than a headbanging doom rock concert.”
“La Otracina was formed in Brooklyn, NY in the summer of 2003 by drummer Adam Kriney and guitarist Joshua Anzano (now of Tee Pee Records’ Titan) to explore the deepest and most surreal realms of psychedelia, prog, and krautrock, with a major emphasis on improvisational exploration and an uncompromising musical energy. While taking heavy nods from psychedelic forefathers such as Flower Travellin’ Band, Guru Guru, King Crimson, Neu!, Yes, Agitation Free, Blue Cheer, Amon Duul, etc, the music of La Otracina has also been rooted in a deep understanding, appreciation, and influence of ’60s free-jazz/improvisation, the shape-shifting wizardry of classical minimalism, and the extreme music of the Japanese noise/psych underground. La Otracina’s brew of cosmic music is a ride across the galaxy, a slice of magical lemon wedges, a rainbow of crystallized comet dust.”