“3 extended live recorded psychedelic space rock jams from Berlin based band featuring ex-members of Growing Seeds and Weltraumstaunen. Contains a version of Hawkwinds Masters of the universe”
Musica Transonic – Hard Rock Transonic (2002)
“MUSICA TRANSONIC were formed by three ardent, impressing individualities under Japanese psychedelic rock scene – Asahito NANJOH (bass; ex-High Rise), Makoto KAWABATA (guitar; ex-Acid Mothers Temple), and Tatsuya YOSHIDA (drums; ex-Ruins) – as an improvised, free-styled psychedelic progressive rock outfit in 1995. They have very unique style that each player produces heavy, loud, confusing psychedelia based on simple riffs with insistence on musical attitude and with support of the others, simultaneously.”
Jesus With Me – Jesus With Me (2002)
“Somewhere in the late 90’s 4 Russians met in NYC and formed this jam group for the higher spirit, following the road and/or spirits of Amon Düül I, Faust, High Rise, Keiji Haino and Ya Ho Wha 13. And the music indeed has the mad fuzz, bass, noise wall psychedelic extremeness of some Japanese psych (Acid Temple, High Rise, White Heaven, some of Haino’s groups), and some spiritual musical breakthrough with the music focus of YaHoWha 13, some slightly chaotic trippy patterns of Amon Düül I, mixed with an improvisational focus of the more advanced experimental Kraut in general. The guitars are penetrating in its improvising towards the infinite, with fuzz noise that keeps up the trippy effect, while the bass is almost swimming while moving-mountains-wise, with the drum in a freeformed slamming mania.”
Major Stars – 4 (2003)
“Full-on hard rock jams, featuring extended skronky guitar solos, wah-wah-inflected Hendrix-ian guitar solos, piercing metallic guitar solos, and what-on-earth-is-that-noise guitar solos.”
The Heads – Dead in the Water (2005)
“In the early 90’s, in a back street garage somewhere in Bristol, Simon, Hugo, Wayne and founding member Dave Spencer would jam for hours and then retire to Simons house for tea and a ‘chat’ until we could barely communicate. These were happy days and we really didn’t give a fuck about anything other than getting in that garage, away from the scum outside, and turning those amps up to 11.”
Abunai! – Round-Wound (2000)
“For their 3rd album, Abunai! took some of their best recorded jams and improv sessions and strung together a ‘Tago Mago’-inspired tapestry of deep, flowing psych-rock and space madness. Great sounds for driving, or for mapping inner-world topographies.”
Khmury – Live in Avant (2010)
“Instrumental set than soon yields to a decelerating passage than recalls the Twin Peaks theme, deliberately or not, lightly enough that it owns the musical passage but also with enough atmosphere to put you straight into the surreal headspace of Lynch’s pine forests complete with a chilly tension… swirl, pummel, soar and pound past in a pretty triumphant mix of post-rock and a range of harder stuff that feels good to bang your head into… sound of an overdriven amp and the most guttural Sabbath worshipping punishment capable of being dealt out by the band, with more of that savage lead guitar work crawling and scrawling across it’s face… hyperblast cosmic carnage, taking in some classic rock riffs, fills and some bad-ass basslines, all captured crystal clear off the desk and synched to perfection.”
Comets On Fire – Blue Cathedral (2004)
“Comets on Fire are psychedelic rock band that have a heavy emphasis on the ‘rock’ part of the equation… At this point they sounded like noisy proto-metal, heavily influenced by The Stooges, MC5, Black Sabbath, and Hawkwind… Their music is very jam based and loose but it rarely meanders and gets boring. They also use the echoplex frequently, adding to their spacey sound. Any fans of space rock, especially Hawkwind and Acid Mothers Temple, should give Comets on Fire a try. Those who want some trippy prog rock, but with a powerful drive and sludgy riffs should also apply.”
The Bevis Frond – Acid Jam (1988)
“Jam sessions recorded with various people around 1988. Includes a long improvisation with the Outskirts of Infinity, a Jam with Martin Crowley and mates, and a Bevis solo piece.”
Live Experience Band – Tribute to Jimi Hendrix (1971)
Tribute to Jimi Hendrix by Peet Shaw and his Live Experience Band in form of noisy acid jams. Wah-wah freak out!