Category: psychedelic rock

Survolaj – Survolaj (1992)

“The band has had a variation of styles, from psychedelic to alternative, progresive to grunge, stoner rock, blues and many others. Their main influences range from Jimi Hendrix to Led Zeppelin, Black Sabbath, Audioslave, Red Hot Chili Peppers, Porcupine Tree, A Perfect Circle, The Doors, King Crimson, Cactus, Mountain, Grand Funk Railroad, Pearl Jam, Frank Zappa, Pink Floyd, Gov’t Mule and Cream. They are considered the pioneers of Romanian psychedelic blues rock. Their style is a mixture of genres like hard rock, progressive rock with free jazz sessions. The rock press usually compares Survolaj to Led Zeppelin and The Doors.”

Electric Orange – Netto (2011)

“Electric Orange is a german psychedelic band from Aachen. They are influenced by bands like Amon Düül II, Can and Ash Ra Tempel. Krautrock from hell is one way to call it and to give it a true name. Soft, psychedelic stoner rock is another. Electric Orange share a band history of almost twenty years jamming and exploring songs together. Their main focus is long, instrumental songs that leave a lot of space for improvisations and ebb and flow with their own internal tide. Song defined as a structural piece of music that comprehensively contains a certain idea put into notes, then Electric Orange overflow that definition again and again with yet another wave of improvisation or solo. Because that seems to be their vision: a boundless, overflowing and transcending rock experience that makes the mind flow on the fundament of the rhythm section together with the foreground improvisation instrument. Or in other words: psychedelia.”

Bandcamp

Kuruucrew – Battle Disco (2008)

“Someone once called them a “Violent Neu!” and that’s not a bad assessment. However, there is nothing vintage about Kuruucrew’s mix of relentless rock assaults and noisy head-banging cacophony. Neu! and other Krautrock bands of the 70’s are often defined by their experimenting with electronics over a steady motorik drum beat. Kuruucrew takes the same trance-inducing repetitive groove of Krautrock’s motorik and modernizes it into a hardcore rock sensation that grinds your head to a pulp. In addition to the stone solid rhythm section, wailing saxophone lines run through effects pedals from saxophonist Akkun (also from Henrytennis) and flagrant guitar massacres from Murata make Kuruucrew worthy carriers of the Japanoise torch. But be careful when getting lost in Kuruucrew’s music, you may snap out of it to find your ears bleeding and your brain washed.”

Papir – Stundum (2011)

“Papir is a krautrock band from Copenhagen, Denmark. Band correctly eschews the traditional pigeonholes of krautrock, prog rock, space rock and stoner rock, while admitting to retaining elements of all these nebulous and intersecting genres. Influences cited by the band include Can and electric Miles Davis (Stundum is semi-improvised, with a few extra layers of guitar and percussion overdubbed onto the frenzied three-piece jams), as well as German guitar legends Manuel Gottsching (specifically the two extended freakouts on the first Ash Ra Tempel album) and Michael Rother (as heard on the crushing and thoroughly atypical early Kraftwerk bootleg K2).”

Bandcamp

Ektroverde – Ukkossalama (2003)

“Ektroverde is an offshoot of Circle, the musicians change as constantly as the ideas expressed musically in this band. An eclectic combination of krautrock, post-rock, space rock and free-form jazz, Ektroverde is marked by it’s long, hypnotic jams and it’s use of homemade electronica – the UFOX air humidifier theremin, vacuum cleaner synth, breadbox guitar amp, and a collection of modular oscillators and such. Think of The Young Gods mingling with the Lotus Eaters, Hawkwind, Los Natas, Colour Haze and the Velvet Underground with a bit of Bootsy Collins bass here and there for good measure. A highly recommended listening experience.”

Tsurubami – Gekkyukekkaichi (2003)

“Tsurubami is yet another side project by the prolific Acid Mothers Temple guitarist Makoto Kawabata, with Temple bassist Hiroshi Higashi and drummer Emi Nobuko… Here are squalling guitars, over-driven basses, feedback, and cacophonous noise. In the maelstrom, which is utter and total, shifting overtones and subtleties are rained on the listener with alarming frequency — and they are heard whether the volume is high or low — creating another layer of density to an already impossible textured quilt of color and amplitude.”

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