“There’s the early-’70s-style instrumental modal rock of “Marbles,” with Carlos lightly shifting his wah pedal to lend a phased voice to his searing solo. The already classic “Evil Ways” is played up-tempo, with a horn section gusting in on the tune’s syncopated organ hits and raucous, jazzy solos by sax player Hadley Caliman and trumpeter Luis Gasca. “Them Changes” is also a bit faster and funkier than its original recording, done by Jimi Hendrix and his Band of Gypsys at the Fillmore. With this updated rendition taking place less than two years after Hendrix’ passing, there’s a poignancy to when Buddy Miles sings so fervently to the crowd, “Say yeah, if you’ve been goin’ through a hell of a lot of changes!!” Recorded at the site of a volcanic crater, LIVE teams the blazing Carlos Santana and his post-Woodstock band with the righteous drummer/singer Buddy Miles (of BAND OF GYPSYS fame). This sunny, outdoors 1972 concert in Hawaii finds the guitarist doing some of his funkiest playing, with added six-string help from Neal Schon. Miles offers plenty of his signature soul-drenched vocals, and Robert Hogins’ Hammond organ combines with the rhythm section to produce Latin grooves almost mighty enough to trigger an eruption.”
Yuri Gagarin – Yuri Gagarin (2013)
“It’s a quality release, crafted by people that obviously know the right buttons to press to make people float down the stream of their own consciousness, abandoning their ego while flying through the electric field of matter and time and onwards towards the Great Truth. It’s a groove-fest made by stoners for stoners, and has a kickass cover you could lose yourself in. Now can you dig that my psychedelic brothers and sisters.”
Monomyth – Monomyth (2013)
“Do you like music that pulls you out of your arm chair and takes you on a ride across the desert or possibly even through space? Yes? Well I have some great news, here’s another album which is going to do just that. Monomyth are a five piece instrumental band from the Netherlands, a land that we all know has a certain herb in abundance which has no doubt helped these chaps create a splendid self-titled little record… If you are a fan of bands like Colour Haze, Monkey3 and latter day Ancestors then you are going to love this album.”
Insider – …Vibrations From The Tapes… (2012)
“The album features five fully improvised instrumental songs, which have been recorded live with two microphones on analog tape deck in the band’s rehearsel room. Hence it comes as no surprise that the song length varies mostly between 12 and almost 28 minutes. The tunes are dominated by extensive, excessive guitar jams, which will allow listeners to immerse themselves in psychedelic worlds. There is still the Hawkwind vibe, but INSIDER make also use of elements which we know from bands like Can or Guru Guru.”
John McLaughlin – Devotion (1970)
“This recording date grew out of sessions Alan Douglas put together, featuring McLaughlin and Larry Young jamming with Jimi Hendrix and Buddy Miles (Billy Rich was the bass player). McLaughlin sounded timid next to Hendrix (none of the material with Hendrix has been officially released), but really comes to life on Devotion. This is arguably one of the finest acid rock albums of all time. McLaughlin is on fire, using fuzzboxes and phasers, over Larry Young’s swirling Hammond B-3, with Billy Rich and Buddy Miles as the rock-solid rhythm section. If you think that McLaughlin’s solo at the end of “Right Off” (from A Tribute to Jack Johnson) is one of the high points of his career, then this is the album for you.”
Flowers Must Die – III (2013)
“These elevating sonic adventures could be compared to the sonic idioms of groups MY BROTHER THE WIND and maybe more rustic incarnations of GÖSTA BERLINGS SAGA and THE SPACIOUS MIND, but the diversity and imagination utilized on the explorations within the frame of neo-classic psych music straits allow them their own identifiable sound, setting the group out of the conventional clone bands. This Swedish underground acid rock also certainly expand the impressionistic boundaries of musical expression from conventional sound structures to the heights of hallucinogenic progressive territories and reaching escape velocity for the planes of Space Rock and beyond.”
Claude Engel – Jams 1972 (2013)
Selection of jams by French psychedelic funk rock guitarist Claude Engel:
01 – Belle Gueuse
02 – Graines De Péché
03 – French Rock
04 – Magie Rouge
05 – Ralentissimo
06 – Slow Motion
07 – Cameo Rock
08 – La Grande Pyramide
09 – 5th Of July, Dulong Street
10 – Live In A Magic Forest
11 – Les Aventures De Pinpin Au Togo
Black Gnod – Innerspace Broadcasts Volume 3 (2012)
“What happens when you put Manchester’s shapechanging Gnod and Barcelos’s fine space-rocking Black Bombaim on the same stage? You get Black Gnod! The Cardinal managed to record this momentous event for posterity, and is now available as one long superjam as part of the Innerspace Broadcast series. Great flipback CD with 3 double sided colour inserts and enough intense sike power contained within to make you see stars!”
Blackfeather – Mangos Theme Part 2 (1971)
Psychedelic jam by Australian progressive rock band Blackfeather.
El Amor – En Vivo (1971)
“Rock band formed in the late 60’s, first as “Los Pajaros”, and led by Miguel Cardenas. The band was originally from Monterrey, Nuevo Leon, and participated the Youth Festival which was conducted the March 13, 1970 in that city, after receiving outstanding reviews from critics, they decided to try their luck in Mexico City, where they recorded their first LP, which included covers of popular songs at that time.The group renamed as “El Amor” in August 1971 and appear in the popular in a TV show on Sunday in which it was not common invite rock bands. “El Vivo” is their second album, released 1971. The band really crank it up here, with loads of wigged-out fuzz guitar heavily featured on six lengthy tracks of high energy acid rock.”