Category: psychedelic rock

Causa Sui – Loppen 2024 (2025)

“Hidden in the liner notes of Causa Sui’s new live album lies an invitation to join the Danish purveyors of expansive psychedelic jams for a midnight feast at Copenhagen’s legendary Loppen venue. Recorded in the heart of freetown Christiania, a place where the boundaries between reality and fantasy blur like the edges of a particularly good dream, the band’s performance is a testament to their two decades of sonic exploration… This is Causa Sui at their most free-flowing and spontaneous, a band that’s clearly as comfortable in the live setting as they are in the studio. It’s a reminder that sometimes, the best music is the kind that’s created in the moment.”

The Band Whose Name Is a Symbol & Dead Sea Apes – Eine Nacht (2024)

“Like hearing the lost Amon Düül I recording you’ve waited 50 years for…Glenn Branca’s wall of guitars, the shamanic cacophony of The Boredoms, psych melters Comets on Fire and so much more inbetween. It is punk ib it fury, noise in iits rash extremity and psychedelic in form. It felt as though everyone in that room was connected to a universal mind decorder as wave after wave of pure sonic free flowing energy built and built to climatic zeniths…and then they did it again…and again.”

Bandcamp

Seedy Jeezus with Isaiah Mitchell and Tony Reed – Tranquonauts 2 (2024)

“After the release of the Tranquonauts debut album in 2016, which was spawn from from conversation between members of Seedy Jeezus and Isaiah Mitchell, we are on the precipice of the second instalment in the journey that is the Tranquonauts, which this time includes Tony Reed… Seedy Jeezus booked a studio in Melbourne and the following day they met up and locked themselves in the studio and jammed for hours …. recording random thoughts ideas and just playing where the music went, with no expectations, except to have a blast and enjoy themselves.”

Bandcamp

Causa Sui – From the Source (2024)

“On ”From The Source”, Causa Sui’s first new studio album in four years, the band has created some of their most ambitious music ever – simultaneously travelling through the sonic landscapes that has come to define the group’s sound and pushing towards new horizons.With the four bandmember’s ties to jazz, experimental and ambient music, Causa Sui is something of an anomaly in the ever-growing European psychedelic rock scene. Always following their own path. Never before has the group’s wide ranging influences been more meticulously weaved together as on ”From The Source”, from groovy Zamrock and electric jazz to floating post-rock, Sabbath riffage and hypnotic kosmische.”

Temple Fang – Live at Krach am Bach (2024)

“In the summer of ’23 we hit the european festival circuit with a new drummer, Daan Wopereis, who had stepped in for Egon on a very short notice in June. There was really no time to write anything new so we’d decided to take a few oldies we hadn’t played for a while, rework them with fresh parts and energy and just go and wing it. On August 5th, we headed down to Beelen, Germany to play a festival we were very much looking forward to, the wonderful Krach am Bach… What ensued was what can only be described as magickal, audience and band melting together in one steamy ritual of psychedelia.”

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Trigona – Isophase (2024)

“Isophase, the third instrumental album from Trigona, is now available on vinyl. Spread across six tracks, the album is tight and punchy, while still having plenty of space for weird, swirly, reversed, and multi-layered guitar and synth tracks. Heavier in places than the last Trigona record, Isophase blends influences like Neu, Acid Mothers Temple and Spiritualized to give the listener a 42-minute psychedelic road trip.”

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Psychic Lemon – The Unheimlich Kingdom (2024)

“It is the band’s darkest yet, full of unrelenting repetition and piled high with dense slabs of sound, a total contrast to the sounds of their self-titled debut… It is a grim, powerful record and perfectly encapsulates these dark and, quite frankly, depressing times. It is the sound of a band rallying against the status quo and simply stating “enough is enough”; a true reflection of a dystopian future that has already descended on us.”

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Bardo Pond – Volume 9 (2024)

“Bardo Pond’s extensive archive recordings series opens up once again with ‘Volume 9’, an incisive journey into their hypnotic sound. Recorded in the early 2000’s it’s a heady mix of acoustic ambience and menacing distortion. Infamous purveyors of longform stoner rock, Bardo Pond embrace their sludgestorms with graceful nods to Hawkwind, Earth and my bloody valentine. For anyone uninitiated with the band’s tranquilizing sound, Volume 9 leans into their mesmeric practise with reckless abandon.”

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Edena Gardens – Dens (2023)

“Members of Papir & Causa Sui finalise Edena Gardens trilogy. True to El Paraiso fashion, Dens concludes a trilogy of albums, aptly spelling out the last third of the group’s name. And true to form, the band turns inwards rather than outwards, drawing on deep shades of ambient, slowcore, and the ghost of Mark Hollis. While maintaining their psychedelic edge, the trio weaves the lines between genres in a way that’s becoming a signature of its own. Never in a hurry, but always moving somewhere.”

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