“Red Giant, the sophomore album by Barrows is fittingly massive in thematic scope as it is in sonic heft, an album about the life of a star and what happens after it dies, the band depicts the stages of celestial death throughout the album’s five epic tracks.”
Bluebird – Black Presence (2002)
Smooth rock jams with an ambient edge.
Twin Tail – Everything Is Permitted (2008)
“Twin Tail is a three piece improvisational, instrumental band. Made up of drums, bass and violin, they bring something of a unique sound to the table. Violinist Yuji Katsui uses the same set of floating, delayed and syrupy effects as sgt’s Mikiko Narui. The sound is so similar as to make one wonder if there isn’t some sort of conspiracy going on amongst post-rock instrumental bands in Japan. It’s obvious from the start that Twin Tail is all about improv and jamming out thorough extended passages. Their songs build (very) slowly, with tempos stretching and breathing along with the intensity of the music. There are really no “songs” or hooks per se. Yuji plays his violin like a screaming, psychedelic guitar more like a blissed-out solo from Jimi Hendrix than any sort of classical piece, while drummer Tatsuya Nakamura and bassist Toshiyuki Terui pound out a trance-like tribal backdrop.”
Husky – The Sea King (2008)
“Based in Charlotte, NC, Husky is made up of Mark Hadden (bass), Phil Strickland (guitar), and Nate Wilkinson (drums)… In the past nine years, the instrumental trio has grown from spinning improvised epic rock jams to firing off focused, intelligent yet simple tunes. Ranging from thick, head nodding Southern grit-rock to echoing bluesy twang and swirling psychedelia to ambient soundscapes, Husky’s masculine punch has been embraced by fans of blues and classic rock to modern and stoner rock aficionados to fans of sweeping melodic post-rock. Their improv skills often come into play during live shows, and they rarely play the same show twice.”
Sleestak – The Fall Of Altrusia (2009)
30 minute jam recorded live and edited by Entheogen. Manner of improvising out there in space resembles minimalist experiments of guitarist Manuel Göttsching who played in legendary krautrock bands Ash Ra Tempel and The Cosmic Jokers. Band is loosing in mind-altering psychedelic bliss. This is how euphoria inducing music sounds.
Ghost Box Orchestra – Spring Tour 2011 Tape (2011)
“Cathedral keyboards and fuzzed-out guitars levitate above pounding, tribal poly rhythms while sparsely placed vocals echo in the dense sonic landscapes.”
Amplifier – Fractal (2011)
“Fractal was recorded mostly at night during the sessions that formed The Octopus. It is a purely improvised record. In the spirit of this we have left it raw and uncorrected.”