“It’s certainly good music with nothing that wouldn’t theoretically appeal to all outré rock fans. It was recorded completely live, with no overdubs, in one 45-minute session at the University of Texas after the two acts became best buddies during the course of the SXSW Festival. So, it has that rawness that can make many a jam session as electrifying on disc as it would have been when witnessed live. There are delicious swathes of fuzzed-out electric guitars, the kind of unending riff-meets-solo that has become somewhat de facto on the modern-day psych scene. Eternal Tapestry favor a twin-guitar attack, with Nick Bindeman and the appropriately moniker-ed Dewey Mahood Wah segueing in and out of each other’s solos, taking it in turn to try and dazzle with the distorted strings of their axes.”
Eternal Tapestry – The Invisible Landscape (2009)
“A lysergic dose of head-trippy, fuzzed out amplifier destruction. Ooooozing walls of blasting fuzz guitar, head-nodding grooves covered in tar and filth…. Krauty, spaced-out, bluesy improv that hits hard. In the same vein as Parson Sound or Can, these guys have really nailed the art of weaving improv in and out of catchy riffs, really sweet.”