Studio jams by blues legends Eric Clapton and Duane Allman.
Skullflower – Ruins (1990)
“Led by guitarist Matthew Bower, the highly prolific Skullflower boasted the largest cult following of the bunch, with a sound based on sludgy, Black Sabbath-style riffs overlaid with feedback, fuzzed-out guitar noise, and throttling rhythms, all played at an ungodly volume. Always an improvisational outfit, their textured noise freak-outs grew increasingly free-form over the course of their career, moving farther and farther away from even loose definitions of “rock.” Skullflower claimed a broad range of influences in addition to the aforementioned Sabbath: heavy psychedelia (Blue Cheer, et al.), Krautrock, classical avant-gardists (John Cage, Steve Reich, Terry Riley), early industrial music (Throbbing Gristle, Einstürzende Neubauten, Whitehouse), and noise rockers from the American indie world (Sonic Youth, Big Black, the Butthole Surfers).”
German Oak – German Oak (1990)
“In the strange Olympic summer of 1972, the Düsseldorf instrumental group (community of 5 hippies / open mind artists) German Oak entered the Luftschutzbunker (or Air Raid Shelter), in order to record their eponymous first self-titled LP. The purpose of recording in a bunker was to recreate the feelings experienced by German soldiers during the Allied invasion of 1944. The strange acoustic conditions in the bunker made the music, which was a series of long, spacious guitar jams, sound distant and filled with echo… By consequence German Oak’s music is very tortured, dark and weird, dominated by heavy, “distorted” guitar solos & rhythms. The background creates “painful” & “ambient” sequences thanks to delay echoes, electronic “fuzzy” noises & repetitive bass lines.”