“Swedish psych-rock Svenska Psykvänner first got together in 2019 to make ‘The Hägersten Sessions’. The band, who feature members of Domboshawa, Fanatism, Eye Make the Horizon and Kungens Män, reconvened to make ‘Böjda Toner’. The album features five slabs of improvised, instrumental psych rock.”
“4 international bands (Kungens Män, Electric Moon, ElonMusk, Kanaan) contributing an exclusively recorded instrumental track of 1 LP side each, about how to watch the ISS crossing their skies from time to time… Long and psychedelic tracks pulsating through space and try to follow the way of the space station around our globe and even beyond, to contribute you the opportunity to travel through your inner cosmosis while listening, only interrupted by the needle lifting, which could be just be some stops at random interstellar stations, to release and gain passengers.”
“Everyone has their own imagination about outer space, and each one us gets to daydream about what exactly floats or exists there. ‘Fortune Goodies’ is Minami Deutsch’s long-awaited 3rd studio album and an encyclopaedia of Krautrock, as band leader Kyotaro Miula describes it. While not all the songs on the record function as straightforward Krautrock this time around, they still manage to capture the spirit and heart of the genre. After relocating from Tokyo to Berlin, Miula’s musical vocabulary has greatly expanded, thus resulting in this ultimate Japanese take on cosmic music in 2022.”
“In recent years London has become an epicenter for experimental, visionary jazz. On this unique session, two of the finest exponents of the London jazz scene, Tamar Osborn and Al MacSween, join forces with members of the celebrated Danish psychedelic underground – Jonas Munk, Jakob Skøtt and Martin Rude – to create a heady sonic brew. On this first volume of material there’s everything one could hope for in such a collaboration: sonically it summons the free flowing euphoria of Alice Coltrane and Pharoah Sanders’ work in the late 1960s and early 1970s. But there’s also a focus on rhythmic energy and vitality that calls to mind the grooviest krautrock or electric period Miles Davis, as well as a healthy dose of electronic experiments.”
“Pancosmology was recorded during the Summer/Autumn of 2021 and is the second collaboration between Mike Vest (Bong, Blown Out, 11 Paranoias) and Fred Laird (Earthling Society, Taras Bulba, Empty House). More song structured than the kosmische vibes of the first A&U LP, ‘Pancosmology’ is a Smorgasbord of sonic attack and lonesome desert twang. Here the ghosts of Ron Ashton and Takashi Mizutani are raised in Vest’s stereo delayed guitar attack and the Dub and Eno-esque soundscapes inspiring Laird’s dream like synth textures and echoed keys. Seekers looking for the sounds of The Stooges, Lez Rallizes Denudes, CAN, Chrome, Barn Owl and other noise refuseniks will find plenty in these sonic grooves.”
“BHAC are a collective with a varying line-up and each time they record all the music is improvised as they let their collective and innate abilities guide them, but what does bind them are the touchstones of Drone and Minimalism that runs through the music they create or just plain HEAVY. Call them Drone Metal or Psychedelic it matters not as the music created is an immersive, all consuming and thought-provoking transcendental listening experience that awaits those brave enough to take the ride with BHAC.”
“In the twilight of time, the giant will soar through the black skies of eternity, telling stories to come.”
“Blue Rumble created a resurgence of 60’s/70’s rock, prog, and blues. Each song leans towards one of the three genres. With a wide variety of background knowledge in music (and being from different parts of the world), the album invites a unique atmosphere to the listener.”
“Recorded after the band’s mostly ambient Hidden Lights EP and a year before the next proper full-length Mind Minerals, the fellas got together for a smoldering Northern California jam session… The results of that rock and roll heatwave can now be heard on Microwavelengths, a 5-track excursion into free form psych, hazy drones, and all out fuzz freakouts that sound as if Hendrix’ Experience were hipped to Krautrock in some kind time/space conundrum before Krautrock was a thing.”
“Since 2007’s brilliant “The Radiant Mirror”, Flower-Corsano Duo have occupied an idiosyncratic space in the musical spectrum. Who else exactly is looking to build a power duo from improv drums and electrified shahi baaja sounds? The duo don’t release much either, so a new set from them is always worth a peek, and on this one Corsano sounds more energetic than ever, working his kit in tides rather than rhythms, leaving Flower to fire shards of harmonic noise from his instrument. The album is assembled from recordings captured in Leeds, Edinburgh and Bristol, and hearing the occasional scream of delight as Corsano spirals into a wormhole or Flower ascends into the heavens just adds to the hyperactive delight. What do u call it? We’ve no idea, but it’s fucking great.”