Author: earthless

Space Invaders – Dreadnought (2015)

“SPACE INVADERS is a loose project of members originally being underway with different space and krautrock bands in Germany and Switzerland. It all started in 2009 at the Burg Herzberg Festival where session guitarist Mike Häfliger (SPACENOTE), bass player Paul Pott (ZONE SIX) as well as Dirk Bittner and Dirk Jan Müller of ELECTRIC ORANGE fame came together for some jam experiences. Diverse live gigs followed featuring guests like Mani Neumeier and Damo Suzuki.”

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Blown Out – Jet Black Hallucinations (2015)

“New Power Trio formed in 2014 from Newcastle, UK. Their music is heavy rolling basslines, waster infused guitar freakouts held together with steady freeform rhythms. Made up from members of BONG, Drunk In Hell, Haikai No Ku, 11Paranoias, Khunnt and pigs pigs pigs pigs pigs pigs pigs. The trio evoke the psychedelic rock, space rock jams from San Francisco’s glory days – effects-laden guitar jamming that goes nowhere and everywhere, held down by a hypnotic groove that never misses a beat, no matter how long they play without pause.”

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Mind Mountain – Mind Mountain (2013)

“Liverpool heavy space Rock band MIND MOUNTAIN have accrued an impressive live reputation in a relatively short space of time. Dealing in lengthy instrumental prog/psych jams that feature a bewildering amount of improvisation and intuitive music-making, the three-piece successfully combine reckless abandon and pinpoint accuracy. The trio have so far recorded three weighty slabs of dense riffage and hypnotic grooves into the world, the cuts boasting the influences and love of the likes Hawkwind, Budgie and early 70’s Progressive rock.”

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Secret Oyster – Sea Son (1974)

“SECRET OYSTER became somewhat of a super group when members of BURNIN’RED IVANHOE, CORONARIAS DANS and HURDY GURDY formed this unit. By the end of BURNIN’ RED IVANHOE’s career (that spawned seven years), Karsten Vogel started forming a new band… Their sound recalled MAHAVISHNU ORCHESTRA, NUCLEUS, Herbie Hancock’s Mwandishi and Sextant albums as well as Miles DAVIS’s Bitches Brew.”

Earthless meets Heavy Blanket – In a Dutch Haze (2014)

“Backed by the best rhythm section in today’s adventurous rock world — Mario Rubalcaba and Mike Eginton from Earthless — the quartet stormed the stage for what would become an incredible one-time happening, leading to almost a full hour of some of the most mind-bending heavy psych imaginable. The epic jam session gave birth to shredding psychedelia and hard rock blues underpinned by the muscular rhythmic sensibilities of kraut-rock and the unbridled energy of 70′s guitar rock. The formidable foundation laid by drummer Rubalcaba became a jumping off point for Mascis, Clise and Eighton to explore their inner cosmoi for consciousness-expanding riffs and music-induced psychedelic experiences.”

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Papir meets Electric Moon – The Papermoon Sessions (2013)

“Led by Sula Bassana‘s (Dave Schmidt‘s) fuzzed-out, heavy guitar explorations, Electric Moon weave pure-psychedelia, dub, doom, krautrock and drone into kosmische improvisations via a myriad of intergalactic riffs, stellar effects and deep-space transmissions. The overall vibe of their epic but hypnotic freak-outs can be utterly mesmerizing or darker than the depths of the most monstrous of black holes, but all the while remaining deeply psychedelic. Sounding vital and fresh, Papir‘s cutting-edge take on psychedelica doesn’t hark back to a bygone era, but voyages through lush valleys of atmospheric soundscapes into peaks of wah wah driven, explosive guitar solos, all propelled by jazz-inflicted motorik grooves that serve to give the louder parts more impact. The band’s use of balance and structure, freedom and power, heaviness and laid back atmospheres comes to full fruition on their latest album, the terrific III, out on Causa Sui‘s adventurous El Paraiso label, and puts Papir squarely in the vanguard of the booming European psychedelic rock scene, along with Electric Moon.”

Agusa – Hogtid (2014)

“Love psychedelic guitar textures and vintage styled prog-rock organ freakouts? Of course you do. Well, do yourself a favor and be sure to check out this debut release from Sweden’s Agusa, titled Högtid, out soon from the folks at Transubstans Records. This is authentic sounding early ’70s prog/psych/krautock inspired stuff…so much so that you’d swear it was recorded in 1971. The band lists their influences as Kebnekajse, Amon Düül II, and Colosseum , which you can totally hear, but they have also added their own spin on the vintage sounding modern prog sound. Featuring members of Sveriges Kommuner & Landsting, Kama Loka and Hoofoot, Agusa weave plenty of swirling organ, jagged guitar, and nimble rhythms throughout this stirring collection of songs. It’s all instrumental, so don’t be put off by the Swedish song titles, and it’s all glorious stuff.”

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Carlos Santana & Buddy Miles – Live! (1972)

“There’s the early-’70s-style instrumental modal rock of “Marbles,” with Carlos lightly shifting his wah pedal to lend a phased voice to his searing solo. The already classic “Evil Ways” is played up-tempo, with a horn section gusting in on the tune’s syncopated organ hits and raucous, jazzy solos by sax player Hadley Caliman and trumpeter Luis Gasca. “Them Changes” is also a bit faster and funkier than its original recording, done by Jimi Hendrix and his Band of Gypsys at the Fillmore. With this updated rendition taking place less than two years after Hendrix’ passing, there’s a poignancy to when Buddy Miles sings so fervently to the crowd, “Say yeah, if you’ve been goin’ through a hell of a lot of changes!!” Recorded at the site of a volcanic crater, LIVE teams the blazing Carlos Santana and his post-Woodstock band with the righteous drummer/singer Buddy Miles (of BAND OF GYPSYS fame). This sunny, outdoors 1972 concert in Hawaii finds the guitarist doing some of his funkiest playing, with added six-string help from Neal Schon. Miles offers plenty of his signature soul-drenched vocals, and Robert Hogins’ Hammond organ combines with the rhythm section to produce Latin grooves almost mighty enough to trigger an eruption.”

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