“Munich supergroup project fronted by Klaus Weiss. Klaus had become fascinated with the possibility of creating a drum orchestra out of the wealth of Munich rock and jazz drummers, and thus Niagara was born featuring percussionists from all backgrounds.”
Oh Sees – Jams 2016-2020 (2021)
Selection of jams by American psychedelic rock band Oh Sees:
01 – Jammed Entrance
02 – Jammed Exit
03 – Dead Medic
04 – A Few Days Of Reflection
05 – Clearly Invisible
06 – Anthemic Aggressor
07 – The Daily Heavy
08 – Scutum & Scorpius
09 – Henchlock
10 – The Virologist
11 – I Got A Lot
12 – Weirdo Hairdo
13 – Don’t Blow Your Mind
Kikagaku Moyo – Live at Levitation (2021)
“Playing Austin Psych Fest / Levitation was always a goal from our earliest days of the band – to join the psychedelic community for a weekend of music and present our live performance. This show in 2014 was a landmark for us. To return years later in 2019 and find the same welcome, the dream was still very much alive and well.”
Mienakunaru – Lost Bones of the Holy Butterfly (2020)
The Band Whose Name Is a Symbol – Berserkir Volume I (2020)
“TBWNIS has been performing and recording for the past 13 years. We play free psych rock and are currently a 6 piece band.”
Satorinaut – Exclusive All Inclusive (2020)
“Satorinaut are originally a space-postrock jam trio, built from members of Korgoth, Lemurian Folk Songs/Liquidacid and Robi, the bass himself. Based on the SATORI. Keep on the railroad of all night long jams, psychedelia and love.”
Kombynat Robotron – Dickfehler Studio Treffen I (2020)
“Kombynat Robotron is a four-piece, heavy freak-out, Krautrock Band hailing from Kiel, Germany. All four band members play in other bands and met for a jam in April 2018. After that they decided to form a band but to just keep on jamming instead of writing songs. In June of that year the band recorded several sessions that were released under the names Modul 12 and Modul 13 on tape and via Bandcamp. Their ‘Robotronic’ music features a wide range of influences due to the different sonic backgrounds of the band members; Krautrock-grooves that smoothly evolve from outer-space spheres into psychedelic and stoner-rock vibes and back to Krautrock.”
Kungens Män – Trappmusik (2020)
“Kungens Män are rooted in the psychedelic/drone rock tradition of bands such as Träd, Gräs & Stenar, but also add influences from krautrock, shoegaze, noiserock and free jazz.”
Møster! – Dust Breathing (2020)
“The band has been growing or cultivating a certain sound over the years, and I feel this has found its best form so far on ‘Dust Breathing’. This album sort of mirrors ‘States of Mind’, where I wanted to make the band into more of a collaborative group, and to step down from the bandleader role. The members have such strong musical personalities that the only way I had of getting that out of them was to open the gates and just record for days. We did some collaborative songwriting and lots of free improvisations, with the composition done in the post production, editing and mixing process. On ‘Dust Breathing’ I have tried to distil the type of music we created together on ‘States of Mind’, carefully keeping in mind the balance between composing/pre-directing/controlling and letting all band members act as equal contributors.”
Krokofant – Q (2019)
“Norwegian trio Krokofant plays energetic and explosive jazz rock that is both free and structured.
Krokofant consists of Tom Hasslan (guitar), Jørgen Mathisen (saxophone) and Axel Skalstad (drums). They are heavily rooted in the 1970 jazz rock sound, with strong references to King Crimson, early Mahavishnu, John Zorn and Peter Brötzmann. An expression that hits both rock audiences and freejazzers. With a drummer sounding like a turbocharged hybrid of Keith Moon and Elvin Jones, Krokofant plays precise and heavy riffs that are redeemed by jarring and strong improvisations. Long, wild saxophone solos are matched by extremely creative, virtuoso guitar playing, without compromising on interaction and groove.”