“Jamming has always been an essential part of Papir. Jamming in the rehearsal room, jamming in the studio, collectively jamming live and getting in to a common zone of rocking outbursts, ambient soundscapes, repetitive trances or whatever comes through. Sometimes it can just feel like a hard work of even trying to get into the zone. But mostly it’s just good times and fun, and I guess that’s why we do it. It’s all about musical energy!”
“Recorded in what appears to be the engine room of their spaceship, SLIFT rip through a 70 minute set inside the ultra-high voltage electron microscope at the National Institute of Applied Sciences’s CEMES Laboratory in Toulouse, FR.”
“Summoned from the murkier reaches of the subconscious and summoning a powerful aura of twilight communion, Smote’s ‘Drommon’ is here to intimidate and enchant. The first Rocket release for this enigmatic Newcastle-based entity is no less than a mystically-aligned voyage into abandon and epiphany…Replete with doom-laden atmospherics and crepuscular intensity, this is an intimidating denouement to return to time and again. Join the ritual, and submit to ‘Drommon’.”
“Driving beats, groovy bass, angry cat guitar screams. A trio performing high energy space kraut rituals since 2019. Just like a hearty meal from grandma, SPECK will deliver what you need – with love and grease… First stop: kraut, next stop: space. Buckle up, hold your potato tight and take the trip!”
“The Myrrors lose themselves in transcendental improvisation… in free flowing circular raga mode. It’s a state of playing that takes take the listener into a deeply shamanistic ecstatic state that is both spellbinding and enrapturing, were you are treated to the music that rivals the free flowing communal progg freakdom of late 60’s/early 70s Germany/ Scandinavia but transported to the Arabian desert. Here a cacophony of flute and whistles, viola, tape loops, alto saxophone, bulbul tarang and guitars churn and cavort through ebbing cosmic shimmer and ecstatic pulsing ritualistic Eastern drones. Try imagining The Velvet Underground, The Taj Mahal Travellers and Parson Sound transported to the Arabian desert. It is ecstatic and otherworldly as you open up your mind and let everything come through – The Myrrors have found the keys to the kingdom of heaven.”
“Erik Conn, Jason Morales and Curt Christenson playing Improvised stoner jams, 70’s meets 90’s loud and heavy… Recorded in our studio during the month of December 2020.”
“A remastered ‘official bootleg’ documenting Diagonal in its second formation – playing live in support of Wolf People in 2012 at the Brudenell Social Club in Leeds. A very different beast to the current band line-up, this Diagonal shared territory with the likes of Magma and ‘Red’ era King Crimson. Hot from the release of their second album ‘The Second Mechanism’ Diagonal were in top muscular form, sonically blasting West Yorkshire with unique, pulsating heavy prog.”
“Free Whenever is an American psychedelic rock duo formed in 2020 in Brooklyn, NY. It was co-founded by multi-instrumentalist pair Neil Guleria and Trevor LaVecchia, who are responsible for all of the band’s writing, performing, recording, and production. The band’s signature sounds include freeform electric guitar and bass melodization, effects-heavy analog synthesizers, and a blend of acoustic drums and hand percussion. They have a vast range of influences both in and outside of their immediate genre, but the core inspiration of behind the band’s psychedelic sound character comes from both classic artists like Pink Floyd, Jimi Hendrix, and Grateful Dead and contemporary artists like Tommy Guerrero, RHCP, Tame Impala, MGMT, and Khruangbin.”
“Enter Sunn Trio. A punk trio that is influenced by Middle Eastern psych, free jazz, and improvisation… trio that composes music that challenges every notion of what rock, punk, or psych can be; however, at the same time, the music is crafted with improvisational focus and middle eastern influence that should be the basis for this generation’s new music… The music has an import that shows a deference to eastern music, while expressing a freedom that isn’t present in any modern music.”
